Reed was inducted into the Musicians Hall of Fame and Museum.
Reed was announced as an inductee into the Country Music Hall of Fame on April 5, 2017, and was officially inducted by Bobby Bare on October 24.
In 1959, Reed hit the Billboard "Bubbling Under the Top 100", also known as the Roar and Cashbox Country chart with the single "Soldier's Joy". After serving two years in the United States Army, Reed moved to Nashville in 1961 to continue his songwriting career, which had continued to gather steam while he was in the Army, thanks to Brenda Lee's 1960 cover of his song "That's All You Got to Do". He also became a popular session and tour guitarist. In 1962, he scored some success with two singles "Goodnight Irene" (as by Jerry Reed & the Hully Girlies, featuring a female vocal group) and "Hully Gully Guitar", which found their way to Chet Atkins at RCA Victor, who produced Reed's 1965 "If I Don't Live Up to It".
Reed is particularly noted and respected by his musical contemporaries and the new generation alike for his unique and intricate picking technique, as seen in his composition "The Claw". As of December 2017, this highly challenging technique is both admired and attempted on numerous video instructional sites throughout YouTube by professionals and amateurs alike.[10]
"Guitar Man"Edit
In July 1967, Reed had his best showing on the country charts (#53) with his self-penned "Guitar Man", which Elvis Presley soon covered. Reed's next single was "Tupelo Mississippi Flash", a comic tribute to Presley. Recorded on September 1, the song became his first Top 20 hit, going to No. 15 on the chart. Coincidentally, Presley came to Nashville to record nine days later on September 10, 1967, and one of the songs he became especially excited about was "Guitar Man".
Reed recalled how he was tracked down to play on the Presley session: "I was out on the Cumberland River fishing, and I got a call from Felton Jarvis (then Presley's producer at RCA Victor) He said, 'Elvis is down here. We've been trying to cut "Guitar Man" all day long. He wants it to sound like it sounded on your album.' I finally told him, 'Well, if you want it to sound like that, you're going have to get me in there to play guitar, because these guys [you're using in the studio] are straight pickers. I pick with my fingers and tune that guitar up all weird kind of ways.'"[11]
Jarvis hired Reed to play on the session. "I hit that intro, and [Elvis's] face lit up and here we went. Then after he got through that, he cut [my] U.S. Male at the same session. I was toppin' cotton, son." Reed also played the guitar for Elvis Presley's "Big Boss Man" (1967), recorded in the same session.[12]
On January 15 and 16, 1968, Reed worked on a second Presley session, during which he played guitar on a cover of Chuck Berry's "Too Much Monkey Business", "Stay Away", and "Goin' Home" (two songs revolving around Presley's film Stay Away, Joe), as well as another Reed composition, "U.S. Male" (Reed's quoted recollection of "U.S. Male" being recorded at the same session as "Guitar Man" being incorrect).[13]
Presley also recorded two other Reed compositions: "A Thing Called Love" in May 1971 for his He Touched Me album, and "Talk About The Good Times" in December 1973, for a total of four.
Johnny Cash would also release "A Thing Called Love" as a single in 1971, which would reach No. 2 on the Billboard Country Singles Chart for North America. It was also successful in Europe. It would become the title track for a studio album that he released the following spring.
1970sEdit
After releasing the 1970 crossover hit "Amos Moses", a hybrid of rock, country, funk, and Cajun styles, which reached No. 8 on the U.S. pop charts, Reed teamed with Atkins for the duet LP Me & Jerry, which earned the pair the Grammy Award for Best Country Instrumental Performance. During the 1970 television season, he was a regular on The Glen Campbell Goodtime Hour, and in 1971, he issued his biggest hit, the chart-topper "When You're Hot, You're Hot", which is a story song, with the majority of the lyrics being spoken rather than sung. The song concerns the singer's near success shooting dice, a police raid, and a judge who is supposedly a fishing buddy of the singer, but who nevertheless sends him down the river for gambling. Aside from being a major crossover hit, "When You're Hot, You're Hot" earned Reed the Grammy Award for Best Country Vocal Performance, Male.
"When You're Hot, You're Hot" was the title track of Reed's first solo album, reaching No. 9 Pop and No. 6 on Billboard's Easy Listening charts. The singles from the album, "Amos Moses" and "When You're Hot, You're Hot" sold over 1 million copies, and were awarded gold discs by the RIAA[14] The album also features songs such as Reed's version of "Ruby, Don't Take Your Love to Town" and John D. Loudermilk's free-wheeling song "Big Daddy (Alabami Bound)".
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